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配信順 2010/9/28 現在318曲 合計47600MSP(無料曲除く) Artist Song title Decade Genre Creedence Clearwater Revival Fortunate Son 1960s Southern Rock Foreigner Juke Box Hero 1970s Classic Rock T.Rex Bang a Gong(Get It On) 1970s Glam The Knack My Sharona 1970s Pop/Rock The Runaways Cherry Bomb 1970s Punk Wolfmother Joker the Thief 2000s Rock Radiohead My Iron Lung 1990s Alternative The Pretenders Brass in Pocket 1980s Pop/Rock Weezer Buddy Holly 1990s Alternative 30 Seconds to Mars Attack 2000s Emo 30 Seconds to Mars The Kill 2000s Emo The All-American Rejects Dirty Little Secret 2000s Emo The All-American Rejects Move Along 2000s Emo The Sounds Song with a Mission 2000s Alternative The Black Crowes Hard to Handle 1990s Rock Lynyrd Skynyrd Gimme Three Steps 1970s Southern Rock The Sounds Song with a Mission 2000s Alternative The Hives Die, All Right! 2000s Punk Iron Maiden The Number of the Beast 1980s Metal Stone Temple Pilots Interstate Love Song 1990s Rock Blink-182 All the Small Things 1990s Punk The Monkees Last Train to Clarksville 1960s Pop/Rock Sweet Action 1970s Glam Coheed and Cambria Ten Speed(Of God s Blood and Burial) 2000s Progressive Rush Working Man 1970s Progressive Smashing Pumpkins Siva 1990s Alternative Faith No More We Care a Lot 1980s Rock Kiss Calling Dr.Love 1970s Classic Rock The B-52 s Roam 1980s Pop/Rock Garbage Why Do You Love Me 2000s Pop/Rock Stone Temple Pilots Sex Type Thing 1990s Alternative Weezer El Scorcho 1990s Alternative Black Tide Why Do You Love Me 2000s Metal Paramore Crushcrushcrush 2000s Pop/Rock Serj Tankian Beethoven s C*** 2000s Rock GLaDOS Still Alive 2000s Pop/Rock Mötley Crüe Saints of Los Angeles 2000s Rock The Mother Hips Red Tandy 2000s Rock The Mother Hips Time-Sick Son of a Grizzly Bear 2000s Rock Smashing Pumpkins Zero 1990s Alternative Blondie Hanging on the Telephone 1970s Pop/Rock The Clash Train in Vain(Stand by Me) 1970s Punk Sonic Youth Kool Thing 1990s Alternative Blur Beetlebum 1990s Alternative Die Toten Hosen Hier Kommt Alex 1980s Punk H-Blockx Countdown to Insanity 2000s Rock Juli Perfekte Welle 2000s Rock Les Wampas Manu Chao 2000s Punk Muse Hysteria 2000s Alternative Oasis "Rock n Roll Star 1990s Rock Pleymo New Wave 2000s Rock Tokio Hotel Monsoon 2000s Glam Maxïmo Park Girls Who Play Guitars 2000s Pop/Rock Avenged Sevenfold Afterlife 2000s Metal Avenged Sevenfold Critical Acclaim 2000s Metal Crooked X Rock n Roll Dream 2000s Rock The Offspring Hammerhead 2000s Rock Vesuvius Promised Land 2000s Rock Red Hot Chili Peppers Snow((Hey Oh)) 2000s Rock Red Hot Chili Peppers Tell Me Baby 2000s Rock Rush Closer to the Heart 1970s Progressive Rush Working Man(Vault Edition) 1970s Progressive Shinedown Devour 2000s Nu-Metal Shinedown Junkies for Fame 2000s Nu-Metal Scars on Broadway They Say 2000s Rock Staind This Is It 2000s Nu-Metal Testament Electric Crown 1990s Metal Thenewno2 Yomp 2000s Pop/Rock System of a Down B.Y.O.B. 2000s Alternative System of a Down Toxicity 2000s Metal Devo Girl U Want 2000s New Wave Devo Through Being Cool 2000s New Wave Duran Duran Girls on Film 1980s Pop/Rock Duran Duran Rio 1980s Pop/Rock The Janitors Get Your Rock On 2000s Pop/Rock Stephen and the Colberts Charlene(I m Right Behind You) 1980s Pop/Rock Bad Religion Sorrow 2000s Punk The Cult She Sells Sanctuary 1980s Nu-Metal Hot Hot Heat Bandages 1990s Alternative Kasabian Shoot the Runner 2000s Alternative Sleater-Kinney You re No Rock N Roll Fun 2000s Alternative The Stone Roses Love Spreads 1990s Alternative Against Me! Stop! 2000s Punk Free All Right Now 1970s Classic Rock George Thorogood the Destroyers Bad to the Bone 1980s Rock Harvey Danger Cream and Bastards Rise 2000s Alternative Screaming Trees Nearly Lost You 1990s Grunge Static-X Push It 1990s Metal Blink-182 Dammit 1990s Punk The Psychedelic Furs Pretty in Pink 1980s Rock Silversun Pickups Melatonin 1990s Indie Rock Silversun Pickups Well Thought Out Twinkles 2000s Indie Rock Fall Out Boy I Don t Care 2000s Pop/Rock Hinder Use Me 2000s Rock Crooked X Gone 2000s Metal Lamb of God Laid to Rest 2000s Metal Soundgarden Jesus Christ Pose 1990s Grunge Soundgarden Pretty Noose 1990s Grunge The All-American Rejects Real World 2000s Emo Children of Bodom Are You Dead Yet? 1990s Metal Finley Tutto E Possibile 2000s Punk Miranda Cosgrove Headphones On 2000s Pop/Rock The Naked Brothers Band Body I Occupy 2000s Pop/Rock The Naked Brothers Band I Don t Want to Go to School 2000s Pop/Rock Platero y Tu Hay Poco Rock N Roll 1990s Rock Squeeze Tempted 1980s Rock Tokio Hotel Ready,Set,Go! 2000s Pop/Rock Deep Purple Space Truckin 1970s Classic Rock James Gang Funk #49 1970s Classic Rock Jethro Tull Hymn 43 1970s Classic Rock Snow Patrol Take Back the City 2000s Alternative Honest Bob and the Factory-to-Dealer Incentives Entangled 2000s Indie Rock Megasus Megasus 2000s Metal Belly Feed the Tree 1990s Alternative Ghost Hounds Wind Me Up 2000s Rock Godsmack I Stand Alone 2000s Nu-Metal Mute Math Typical 2000s Alternative Rob Zombie War Zone 2000s Nu-Metal Nikko Break My Heart 2000s Pop/Rock Nikko Don t Tell Me 2000s Pop/Rock Pat Benatar Hit Me With Your Best Shot 1980s Classic Rock The Pretenders Precious 1980s Punk Turbonegro Wasted Again 2000s Punk White Zombie Black Sunshine 1990s Metal White Zombie More Human than Human 1990s Metal No Doubt New 2000s Pop/Rock The Offspring All I Want 1990s Punk The Offspring The Kids Aren t Alright 1990s Punk R.E.M. Losing My Religion 1990s Alternative Richard Thompson The Way That It Shows 1990s Rock Against Me! Thrash Unreal 2000s Punk The New Pornographers All the Things That Go to Make Heaven and Earth 2000s Indie Rock The New Pornographers Use It 2000s Indie Rock Papa Roach Last Resort 2000s Alternative Papa Roach Lifeline 2000s Alternative Glasvegas Geraldine 2000s Alternative Journey Don t Stop Believing 1980s Classic Rock Pat Benatar Heartbreaker 1970s Classic Rock The Von Bondies C mon C mon 2000s Alternative Black Tide Warriors of Time 2000s Metal Bullet for My Valentine Waking the Demon 2000s Metal The Shins New Slang 2000s Indie Rock Alien Ant Farm Smooth Criminal 2000s Rock The Allman Brothers Band Blue Sky 1970s Southern Rock The Allman Brothers Band Midnight Rider 1970s Southern Rock The Distillers Drain the Blood 2000s Punk Luscious Jackson Naked Eye 1990s Alternative Prong Idealistic Types 2000s Metal Prong The Banishment 2000s Metal Disturbed Stricken 2000s Metal Disturbed Stupify 2000s Metal Elvis Costello Radio Radio 1970s Rock Steely Dan Black Friday 1970s Classic Rock Steely Dan My Old School 1970s Classic Rock The Replacements Kids Don t Follow 1980s Punk The Cranberries Linger 1990s Alternative The Zombies She s Not There 1960s Pop/Rock The Zombies Tell Her No 1960s Pop/Rock Black Rebel Motorcycle Club Weapon of Choice 2000s Alternative Lush Sweetness Light 1990s Alternative Damone Out Here All Night 2000s Rock The Band Chest Fever(Live) 1970s Classic Rock Janis Joplin Piece of My Heart 1970s Classic Rock The Who Magic Bus(Live at Leeds) 1970s Classic Rock Jefferson Airplane White Rabbit 1960s Classic Rock Blur There s No Other Way 1990s Alternative Rock Dropkick Murphys I m Shipping Up to Boston 2000s Punk Kaiser Chiefs I Predict a Riot 2000s Indie Rock Eve 6 Inside Out 1990s Alternative Rock Blind Melon No Rain 1990s Alternative Rock Billy Idol Mony Mony 1980s Rock Billy Idol Rebel Yell 1980s Rock Fleetwood Mac Don t Stop 1970s Classic Rock Fleetwood Mac World Turning 1970s Classic Rock Jet She s a Genius 2000s Alternative Tom petty I Won t Back Down 1980s Classic Rock Tom Petty Runnin Down a Dream 1980s Classic Rock Avenged Sevenfold Bat Country 2000s Metal The Jam Going Underground 2000s New Wave The Jam Town Called Malice 1980s New Wave Oasis Supersonic(Live) 2000s Rock Rage Against the Machine Guerilla Radio 1990s Alternative 3 Doors Down Kryptonite 2000s Rock AFI Miss Murder 2000s Alternative Audioslave Gasoline 2000s Rock Jackson 5 ABC 1970s Pop/Rock Dinosaur Jr. Pick Me Up 2000s Alternative Dinosaur Jr. The Wagon 1990s Alternative The Guess Who Hand Me Down World 1970s Classic Rock The Guess Who No Time 1970s Classic Rock Tenacious D Rock Your Socks 2000s Rock Tenacious D Tribute 2000s Rock Just Kait U Suck 2000s Rock Kula Shaker Hey Dude 1990s Alternative Kula Shaker Knight on the Town 1990s Alternative Alanis Morrissette Head Over Feet 1990s Pop/Rock Alanis Morrissette Ironic 1990s Pop/Rock Flobots The Flobots Handlebars 2000s Alternative Black Tide Show Me the Way 2000s Metal Blink-182 What s My Age Again? 1990s Punk Joe Satriani Satch Boogie 1980s Rock Joe Satriani Surfing with the Alien 1980s Rock Kansas Icarus-Borne on the Wings of Steel(Live) 1970s Progressive Kansas Point of Know Return(Live) 1970s Progressive L7 Andres 1990s Grunge Liz Phair Rock Me 2000s Pop/Rock Morningwood Best of Me 2000s Pop/Rock Morningwood Sugarbaby 2000s Pop/Rock Joan Jett The Blackhearts Fake Friends 1980s Punk The Damned Smash It Up(Part II) 1970s Punk Kasabian Club Foot 2000s Rock Bangles The Bangles Walk Like An Egyptian 1980S Punk Them Crooked Vultures New Fang 2000S Rock Kelly Clarkson Miss Independent 2000s Pop/Rock Pink Who Knew 2000s Pop/Rock The Go-Go s Our Lips Are Sealed 1980s Pop/Rock Lights Resolve Dreaming of Love 2000s Indie Rock Simon Garfunkel I Am a Rock 1960s Classic Rock Simon Garfunkel The Sounds of Silence 1960s Classic Rock 30 Seconds To Mars Kings and Queens 2000s Emo 30 Seconds To Mars This is War 2000s Emo All-American Rejects Gives You Hell 2000s Emo Limp Bizkit Build a Bridge 2000s Nu-Metal The Offspring A Lot Like Me 2000s Rock Yellowcard Ocean Avenue 2000s Emo The Psychedelic Furs Love My Way 1980 New Wave The Psychedelic Furs Sister Europe 1980s New Wave The Ramones Rock n Roll High School 1970s Punk Phoenix 1901 2000s Alternative Phoenix Lisztomania 2000s Alternative Silvertide Blue Jeans 2000s Rock Blue Öyster Cult Godzilla 1970s Classic Rock Blue Öyster Cult Transmaniacon MC 1970s Classic Rock Hawkwind Master of the Universe 1970s Rock I Mother Earth Levitate 1990s Alternative Motörhead Killed by Death 08 2000s Metal Nazareth Hair of the Dog 1970s Rock Rage Against the Machine Bulls on Parade 1990s Alternative The Who The Who Super Bowl S-mashup 1970s Classic Rock All Time Low Weightless 2000s Pop/Rock Alphabeat Fascination 2000s Pop/Rock Brian Setzer Orchestra Stray Cat Strut 1980s Jazz The Chemical Brothers Let Forever Be 1990s Other KSM Distracted 2000s Pop/Rock Marilyn Manson The Dope Show 1990s Alternative One Night Only Just For Tonight 2000s Pop/Rock The Police Walking On the Moon 1970s Pop/Rock The Mother Hips Third Floor Story 200s Rock The Mother Hips White Falcon Fuzz 2000s Rock Silversun Pickups Panic Switch 2000s Indie Rock Silversun Pickups Sort Of 2000s Indie Rock TRUSTCompany Downfall 2000s Nu-Metal The Futureheads Decent Days Nights 2000s Alternative The Futureheads Hounds of Love 2000s Alternative The James Gang Walk Away 1970s Rock Neil Peart The Hockey Them 2000s Other Shaimus All of This 2000s Indie Rock Shaimus Tie You Down 2000s Indie Rock 3 Doors Down It s Not My Time 2000s Rock Eric Cartman Lady Gaga s Poker Face(South Park Version) 2000s Novelty Mute Math Control 2000s Alternative The Subways Oh Yeah 2000s Alternative The Subways Rock Roll Queen 2000s Alternative Little Fish Am I Crazy 2010s Indie Rock Little Fish Bang Bang 2010s Indie Rock Little Fish Darling Dear 2010s Indie Rock Ace Frehley Outer Space 2000s Metal Carrie Underwood All-American Girl 2000s Country OneRepublic Stop Stare 2000s Pop-Rock Jimi Hendrix Valleys of Neptune 2010s Classic Rock Anberlin Feel Good Drag 2000s Alternative Hawk Nelson Live Life Loud 2000s Pop-Rock Skillet Monster 2000s Rock Superchick Stand in the Rain 2000s Pop-Rock Switchfoot Meant to Live 2000s Alternative Thousand Foot Krutch Fire It Up 2000s Nu-Metal Serj Tankian Empty Walls 2000s Rock Serj Tankian Sky Is Over 2000s Rock Smash Mouth All Star 1990s Pop-Rock Siouxsie The Banshees Peek-a-Boo 1980s Pop-Rock Supergrass Sun Hits the Sky 1990s Alternative Violent Femmes American Music 1990s Alternative Busted Thunderbirds Are Go! 2000s Pop-Rock Flyleaf Again 2000s Alternative Silverchair Tomorrow 1990s Alternative Orianthi According to You 2000s Pop-Rock Picture Me Broken Dearest(I m So Sorry) 2010s Metal The Smithereens A Girl Like You 980s Rock The Smithereens Only a Memory 1980s Rock P.O.D. Alive 2000s Nu-Metal Boys Like Girls The Great Escape Crown of Thorns Rock Ready Sweet Billy Pilgrim Future Perfect Tense 2000s Pop Rock Bad Religion New Dark Ages 2000s Punk Bad Religion No Control 1980s Punk Blondie Rapture 1980s New Wave DC Talk Jesus Freak 1990s Rock The Decemberists The Perfect Crime # 2 2000s Indie Rock Eagles of Death Metal I Only Want You 2000s Alternative Eels Saturday Morning 2000s Alternative Family Force 5 Love Addict 2000s Rock KMFDM Sturm Drang 2000s Metal La Roux Bulletproof 2000s Pop/Rock Various Artists RBN Megamix 01 2010s Other Dio Holy Diver 1980s Metal Dio Stand Up and Shout 1980s Metal Juliana Hatfield Nirvana 1990s Indie Rock Morrissey Irish Blood, English Heart 2000s Indie Rock Silverchair Straight Lines 2000s Alternative The Smiths This Charming Man 1980s Indie Rock Underoath Writing on the Walls 2000s Emo 30 Seconds to Mars Closer to the Edge 2000s Emo Atreyu Coffin Nails 2000s Metal Buckcherry Out of Line 2000s Rock The Doobie Brothers Listen to the Music 1970s Classic Rock The Doobie Brothers Long Train Runnin 1970s Classic Rock My Chemical Romance I’m Not Okay (I Promise) 2000s Emo My Chemical Romance Welcome to the Black Parade 2000s Emo
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class="header-black" /div /div /header nav div class="nav-container" div class="nav-main" span class="nav-span" a href="/" class="nav-a" Home /a /span span class="nav-span-next" /span span class="nav-span" a href="/original/" class="nav-a" 本家譜面 /a /span span class="nav-span-next" /span span class="nav-span" 検索結果 /span /div /div /nav div class="search-container search-container-original" div class="search-main-container" div class="search-title-container" i class="fas fa-poll" /i h2 class="search-title-h2" 検索結果 /h2 /div div class="search-description-container" p class="search-description-p" 検索結果：2件 /p p class="search-description-p" span 検索条件：【ジャンル】 /span ボーカロイド,バラエティ,クラシック,アニメ,J-POP span 【レベル】 /span ★6 span 【頭文字】 /span span 指定なし /span /p p class="search-description-p" ソート順： 公開日が新しい順 /p /div /div /div div class="ad-container" script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js" /script !-- 広告_Responsive_bg_white -- ins class="adsbygoogle" style="display block" 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class="common-description-level-p" ★6 / 488combo /p /div /div /div /a /li li class="original-list-li" a href="/original/yawarakasensya/" class="original-list-contents-main-a" div class="original-list-contents-sub" div class="created-label-container" p class="common-label label-variety" バラエティ /p /div /div div class="original-list-contents-main" h3 class="original-music-title-h3" やわらか戦車 /h3 p class="original-music-description-p" 「やわらか戦車」より /p /div div class="original-list-contents-sub" div class="common-description-level-container" div class="common-description-level-sub-container common-description-level-sub-omote" img src="/wp-content/uploads/oni.png" class="cource-symbol-img" p class="common-description-level-p" ★6 / 488combo /p /div /div div class="common-description-level-container" div class="common-description-level-sub-container common-description-level-sub-ura" img src="/wp-content/uploads/oni-ura.png" class="cource-symbol-img" p class="common-description-level-p" ★9 / 889combo /p /div /div /div /a /li /ul /div div class="created-list-child" div class="pagenation-container" div class="pagenation-main" ul class="pagenation-ul" li class="pagenation-li" span class="pagenation-hit-span" p class="pagenation-p-wide" /p /span /li li class="pagenation-li" span class="pagenation-hit-span" p class="pagenation-p" 1 / 1 /p /span /li li class="pagenation-li" span class="pagenation-hit-span" p class="pagenation-p-wide" /p /span /li /ul /div /div /div /div /div div class="ad-container" script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js" /script !-- 広告_Responsive_bg_white -- ins class="adsbygoogle" style="display block" data-ad-client="ca-pub-8155037410327671" data-ad-slot="6023331188" data-ad-format="rectangle" data-full-width-responsive="false" /ins script (adsbygoogle = window.adsbygoogle || []).push({}); /script /div div class="search-container search-container-original" div class="search-main-container" div class="search-title-container" i class="fas fa-search" /i h2 class="search-title-h2" 本家譜面を検索する /h2 /div div class="search-description-container" p class="search-description-p" 検索したい条件をクリックし、「検索する」ボタンを押してください。 /p p class="search-description-p" 「ジャンル」「レベル」「頭文字」については複数選択が可能です。 /p p class="search-description-p" ※リセットする場合、一度本家譜面のトップページへ戻って下さい。 /p /div form action="./" method="get" div class="search-box-container" div class="form-parts-container" h3 class="form-parts-h3 form-parts-h3-original" ジャンル選択 /h3 ul class="form-parts-ul" li class="form-parts-li" input type="checkbox" name="or-gn[]" value="namcooriginal" id="search-original-genre1" class="original-checkbox" label for="search-original-genre1" class="form-parts-label" ナムコオリジナル /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="vocaloid" id="search-original-genre2" class="original-checkbox" checked label for="search-original-genre2" class="form-parts-label" ボーカロイド /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="gamemusic" id="search-original-genre3" class="original-checkbox" label for="search-original-genre3" class="form-parts-label" ゲームミュージック /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="variety" id="search-original-genre4" class="original-checkbox" checked label for="search-original-genre4" class="form-parts-label" バラエティ /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="classic" id="search-original-genre5" class="original-checkbox" checked label for="search-original-genre5" class="form-parts-label" クラシック /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="anime" id="search-original-genre6" class="original-checkbox" checked label for="search-original-genre6" class="form-parts-label" アニメ /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="j-pop" id="search-original-genre7" class="original-checkbox" checked label for="search-original-genre7" class="form-parts-label" J-POP /label /li li class="form-parts-li" input type="checkbox" name="or-gn[]" value="douyou" id="search-original-genre8" class="original-checkbox" label for="search-original-genre8" class="form-parts-label" どうよう /label /li /ul /div div class="form-parts-container" h3 class="form-parts-h3 form-parts-h3-original" レベル選択 /h3 ul class="form-parts-ul" li class="form-parts-li" input type="checkbox" name="or-lv[]" value="10" id="search-original-lv-10" class="original-checkbox" label for="search-original-lv-10" class="form-parts-label" ★10 /label /li li class="form-parts-li" input type="checkbox" name="or-lv[]" value="9" id="search-original-lv-9" class="original-checkbox" label for="search-original-lv-9" class="form-parts-label" ★9 /label /li li class="form-parts-li" input type="checkbox" name="or-lv[]" value="8" id="search-original-lv-8" class="original-checkbox" label for="search-original-lv-8" class="form-parts-label" ★8 /label /li li class="form-parts-li" input type="checkbox" name="or-lv[]" value="7" id="search-original-lv-7" class="original-checkbox" label for="search-original-lv-7" class="form-parts-label" ★7 /label /li li class="form-parts-li" input type="checkbox" name="or-lv[]" value="6" id="search-original-lv-6" class="original-checkbox" checked label for="search-original-lv-6" class="form-parts-label" ★6 /label /li li class="form-parts-li" input type="checkbox" name="or-lv[]" value="u5" id="search-original-lv-u5" class="original-checkbox" label for="search-original-lv-u5" class="form-parts-label" ★5以下 /label /li /ul /div div class="form-parts-container" h3 class="form-parts-h3 form-parts-h3-original" 頭文字選択 /h3 ul class="form-parts-ul" li class="form-parts-li" input type="checkbox" name="or-nm[]" value="1a" id="search-original-nm-1a" class="original-checkbox" label for="search-original-nm-1a" class="form-parts-label" 「あ」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="2k" id="search-original-nm-2k" class="original-checkbox" label for="search-original-nm-2k" class="form-parts-label" 「か」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="3s" id="search-original-nm-3s" class="original-checkbox" label for="search-original-nm-3s" class="form-parts-label" 「さ」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="4t" id="search-original-nm-4t" class="original-checkbox" label for="search-original-nm-4t" class="form-parts-label" 「た」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="5n" id="search-original-nm-5n" class="original-checkbox" label for="search-original-nm-5n" class="form-parts-label" 「な」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="6h" id="search-original-nm-6h" class="original-checkbox" label for="search-original-nm-6h" class="form-parts-label" 「は」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="7m" id="search-original-nm-7m" class="original-checkbox" label for="search-original-nm-7m" class="form-parts-label" 「ま」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="8y" id="search-original-nm-8y" class="original-checkbox" label for="search-original-nm-8y" class="form-parts-label" 「や」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="9r" id="search-original-nm-9r" class="original-checkbox" label for="search-original-nm-9r" class="form-parts-label" 「ら」行 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="10w" id="search-original-nm-10w" class="original-checkbox" label for="search-original-nm-10w" class="form-parts-label" 「わ」＆記号・数字 /label /li li class="form-parts-li" input type="checkbox" name="or-nm[]" value="11a-e" id="search-original-nm-11a-e" class="original-checkbox" label for="search-original-nm-11a-e" class="form-parts-label" 「ABCDE」 /label /li li class="form-parts-li" input type="checkbox" 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id="sort-dt-nw" class="original-checkbox" checked label for="sort-dt-nw" class="form-parts-label parts-radio" 公開日が新しい順 /label /li li class="form-parts-li" input type="radio" name="sort" value="dt-ol" id="sort-dt-ol" class="original-checkbox" label for="sort-dt-ol" class="form-parts-label parts-radio" 公開日が古い順 /label /li li class="form-parts-li" input type="radio" name="sort" value="nm-asc" id="sort-nm-asc" class="original-checkbox" label for="sort-nm-asc" class="form-parts-label parts-radio" 名前順 /label /li li class="form-parts-li" input type="radio" name="sort" value="nm-desc" id="sort-nm-desc" class="original-checkbox" label for="sort-nm-desc" class="form-parts-label parts-radio" 名前逆順 /label /li li class="form-parts-li" input type="radio" name="sort" value="lv-om" id="sort-lv-omote" class="original-checkbox" label for="sort-lv-omote" class="form-parts-label parts-radio" レベル順(表) /label /li li class="form-parts-li" input type="radio" name="sort" value="lv-ur" id="sort-lv-ura" class="original-checkbox" label for="sort-lv-ura" class="form-parts-label parts-radio" レベル順(裏含む) /label /li li class="form-parts-li" input type="radio" name="sort" value="rdm" id="sort-rdm" class="original-checkbox" label for="sort-rdm" class="form-parts-label parts-radio" ランダム順 /label /li /ul /div /div div class="search-form-submit-container" div class="search-form-submit-button-container" button type="submit" class="submit-button" 検索する /button /div /div /form /div /div div class="ad-container" script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js" /script !-- 広告_Responsive_bg_white -- ins class="adsbygoogle" style="display block" data-ad-client="ca-pub-8155037410327671" data-ad-slot="6023331188" data-ad-format="rectangle" data-full-width-responsive="false" /ins script (adsbygoogle = window.adsbygoogle || []).push({}); /script /div div class="front-subinfo-container" div class="front-subinfo-main-container" div class="front-subinfo-child-container" ul 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!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp" / meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Instructions /title style media="all" type="text/css" @import "../../{$smarty.const.TL_THEME_CSS_DIR}testlink.css"; /style script type="text/javascript" src="../../javascript/testlink_library.js" /script /head body div class="workBack" h1 テストケースの編集とアーカイブ /h1 h2 目的 /h2 p span class="help" onclick="javascript open_popup( ./glosary.html#testspec );" テスト仕様 /span は、存在する span class="help" onclick="javascript open_popup( ./glosary.html#testproject );" Test project /span , テストスイート、 span class="help" onclick="javascript open_popup( ./glosary.html#testcase );" テストケース /span の情報を閲覧したり変更したりする場所です。異なるバージョンのテストケースを見ることもできます。 /p h2 やってみましょう！： /h2 ol li ナビゲーションシーンのテストプロジェクト名を選択します。 /li li 新しいテストスイートとテストケースを作成します。(テストプロジェクト右上端に在る、テストプロジェクトの選択で選ぶことができます。) /li li 左側に在るツリーをたどって、データを修正していきます。 /li li テストケースの準備ができているとき、 span class="help" onclick="javascript open_popup( ./glosary.html#testplan );" テスト計画 /span に作られた仕様を割り当てます /ol p TestLinkはテストケースをNレベルのテストスイートに作りこんでいきます。テストスイートの内容を記述することができます。この情報は、テストケースと一緒に印刷することもできます。 /p /div /body /html
https://w.atwiki.jp/fffkindle1212134/pages/39.html
Code Geass 24. The Collapsing Stage Code-R... I see. You ve given me an abnormally high active electrical potential and boosted my neurofilaments. Oh, how understanding is such a happiness! You on me experimented in order to recreate it, didn t you? This affliction of hers... Stop it, Code-R isn t an invalid! Regardless, won t you please just calm down? Your brain cells were destroyed past the Circle of Willis, so-- Spare me excuses! You re the one who gave me like this because you hated me for sending you back to the homeland! Look, I promise I ll hear anything you have to say, but first let s return to the homeland! We can t carry on a proper conversation in this situation. Hear me, Britannia! This is Zero! Zero?! A rebel against oppressors who abuse their power! We will wait until midnight. You have until then to surrender to me. Through the entire settlement? He s on every communication channel. Do we have any communication to the outside? Use this opportunity to confirm the enemy s formation. Yes, Your Highness. I ll have vengeance for my sister Euphemia, and I ll take it right here and now, Zero! Fairly, out in the open, and face to face! A rebel against oppressors who abuse their power! We will wait until midnight. You have until then to surrender to me. Surrender at midnight... Hand over the whole settle to them... Hey, wh--wh--what re you doing?! Stop it! You know what ll happen if you do that?! Would you please not interfere? This is no time to be screwing around! If you don t stop it-- Are you ready to commence the air raid? Strike is synchronized. Good. Assume the position to fire! Cornelia, I m afraid a direct confrontation with me in battle will be your undoing. What?! An earthquake?! A layered structure, built to be earthquake resistant. But if you demolish all of the floor sections simultaneously, you won t find anything to be more fragile. By lining up the city s perimeter to engage the Black Knights, you sealed your fate. I m not beaten yet! Damn, you really are one amazing dude, Zero. Wow, did they destroy the entire settlement? I heard only the outer perimeter was affected. There are some facilities in it we re going to need later. Still, how were Zero s underground collaborators able to pull this off? I m guessing that Villetta and Jeremiah s theories must have been true. Heh, then this is magnificent. Yes... the world is a game and people are mere pawns! STAGE 24 THE COLLAPSING STAGE This will do. Once we broadcast images to the world of their government bureau falling to us, along with our declaration of independence, he ll be forced to face me. And if I can get him -- get the Britannian emperor to meet me one on one, then all the pieces will fall into my hands. How does the enemy s air power look? Our allied groups are concentrating on striking them hard in each sector. The rest are around the Izu Area, Sado, and Awaji Islands. Then the time is right, now s our chance! Attack! Third Squad, take the media sector! Sixth Squad, take the harbor! Special Forces, suppress the lower levels! All remaining, push in from the front, gather intelligence on the enemy forces that are left! All forces, hear me! Fall back to the Britannian Government Bureau! Yes, Your Highness! What s wrong? If you re having trouble controlling it, just detach the cockpit block. No, Princess Cornelia, forget about me and get to the bureau! Cornelia s been found! Surround her! Meet your fate! Tohdoh, you phantom...! No, Princess, stand aside! Leave him to me! Guilford! Well, that s the one from Narita! Get away while you can, Princess! Do you expect me to simply abandon my men and run away?! Your Highness, you must survive! For Princess Euphemia s honor as well! Go now, because, My Lady, I am the knight you chose to champion you! That sword s the same one as the Lancelot s! Therefore, I must be the one who stays and fights! So be it. Then, Guilford, your orders are to come back alive, my knight. Yes, Your Highness, I will return! The school area is a priority for the Special Force and the Zero Squad to take over. We ll use one of the buildings for our command center. What, at the school? Ohgi, you stand by out there as well. ...Ohgi! Uh... right. Understood, Zero. You re planning to go to the Tokyo Settlement, aren t you? However, you can t have it! The A.S.E.E.C. exists for research and development. It appears our duties here have wound to an end, and we haven t been ordered by the viceroy to go out there, either. Leaving would be a violation of orders, right? Suzaku, I know how you feel but... Oh, no, you don t! Listen to me, Zero s in Tokyo, and I m gonna finish him with my own hands! I won t let you stop me -- I m doing this! Colonel! Lt. Colonel, should we pursue? Where are the other units? They re approaching, climbing up from the side... Hm?! The Glaston Knights? Lord Guilford, we re holding a position just ahead of here. Please head back! I appreciate that. I m grateful! Think nothing of it, sir. Originally, we were all subordinates under Gen. Darlton s command. We still don t know if he s alive or dead, but our duty to Viceroy Cornelia comes first. Do you know the situation? The enemy s frontal assault is a diversion. But if we beat them here, the rest are simply militia forces. I mean, they re just rabble. Diethard, enemy air power s been taken care of. Kaguya will command the G1. Move to your assigned location immediately. Understood. Yoshida, get the Raikou ready! Yes, sir! Tamaki, do you know Rakshata s status? She s on the move! Kallen, go provide her group with backup! Right! Tohdoh, you know what to do if you see the target. Understood. Okay, now what s the name of the collaborator, Ohgi? Uh... I have it as Sayoko Shinozaki. Contact s been lost with Hiroshima Settlement! Uprisings have broken out in the Sapporo Settlement as well! And Chinese Federation naval fleets are massing in the East China Sea! The Chinese Federation, too?! That s all we need, with His Majesty still not present! He must be there again. Lord Odysseus, our troops are standing by ready for deployment. You need to choose a commander now! We mustn t be too hasty here, gentlemen. What Euphemia did was clearly an abominable blunder. Handle this rashly, and it may spread to every Area! My Lord, we must go to help Princess Cornelia! Brother, why don t I go? Send me there. Y--you re serious? Would you really go there?! Doesn t it sadden you to see those people killing each other? Super Electromagnetic Shrapnel Cannon, FIRE! First Special Forces, move in! They only seem to be defending the Government Bureau right now. As expected, they try not to scatter themselves while waiting for reinforcements. Don t move! We re the Black Knights! We ve taken over this building! Do exactly as we tell you to! No... it can t be! Hello, Chief, I ve brought you an exclusive. Shall we transmit this to the world? The moment when Zero changes everything in our lives. Now that s the scoop. Right. We ll give the public a spectacular show that ll exceed whatever they hope to see. Huh? That was it -- the last broadcasting station. They re all down. Hands up and turn around! The Black Knights control the school -- all of you are now our hostages! Lower the guns! Huh? That s a hell of a thing to say in this situation! Rivalz! C mon, lemme be cool for once, okay? I ll protect everyone! Is that a fact?! Stop! I expressly told you to avoid violence. Yeah, but you also told us this was gonna be our command center, didn t you? Your command center?! Why does it have to be Ashford, of all places...? Your academy is strategically useful for our purposes; therefore, we re turning it into a command center. We re in no position to refuse you? I guarantee none of you will be harmed. Nunnally, until the fighting has ended you ll be safe here... protected by the Black Knights. So please... Like we can believe you?! You guys are at war with us Britannians! We re enemies, remember?! Please, Rivalz, don t argue. Do what he says. Kallen!? Well, well, there s a surprise around every corner... Do I have your word that no one gets hurt? Not only us, but any of the student body, faculty, or staff; anywhere on the campus? As long as nobody tries to leave the dorms or administrative offices, they ought to be fine. I want-- I want to know what you did to me! I was so terrified, you have no idea! Both of you did something to me -- tell me the truth! -- didn t you?! Huh? How could you? How could you?! Zero, it s the Lancelot! I knew he d come! Out of my way! When I find you Zero... I M GOING TO KILL YOU!!! Geass? That s correct. Zero possesses a supernatural power. Impossible. Then how do you explain Princess Euphemia s sudden and drastic change? What about you -- the one who always follows the rules? How do you account for your actions on Shikine Island? In short... The power to control people and erase their memories... When you think about it, it makes sense and explains everything that s happened till now. And as a result of its aftereffects, I fell in love with a damned Eleven! That student -- Lelouch Lamperouge, he s responsible for all of it! Suzaku! Kallen! We meet in battle once again! I m sorry, but this time you re going to die! You re all fools! You, the Japanese... he s lying to all of you! I can t put up with that ignorant dribble, and what do you even know about Zero anyway?! Well, tell me what you know about him, then! TELL ME WHERE ZERO IS NOW! Come on, answer me! Where is Zero?! Like I d tell that to a filthy traitor like you! Then let s finish this here! Don t think you have an edge because you can fly! Now I gotcha! DIE! Tell me! Where is Zero! You know, I really hate pushy guys. Okay... then die here. If you have any last words, say them now. Wait! Suzaku Kururugi, my belief that you and I could be allies was incorrect. I m no longer gullible about our would-be partnership. Let s resolve this one-on-one. Works for me, let s do it! Colonel? Asahina. What about Urabe? He s moving on the energy filler depository right now, sir. All right, then let s go rendezvous with Senba and Chiba. Once we recharge, we ll surround the Government Bureau, then we as the main force will push in from the front! Roger! Order Lord Crane to fall back. Set up a defense line on the railway station grounds. Yes, right away, Your Highness. Princess Cornelia, I ve completed our formation. What about the line of defense around the bureau? You are to hold your position, Guilford. If we can just drag this battle out, it ll only go badly for the Black Knights. Yes, Your Highness. Well, what did my older brother say? He said the Pacific Fleet should arrive in approximately 75 hours. Also, the Sado and Torishima Air Divisions have already been deployed within Area 11. Meaning that they should be here in about 30 minutes. Leak this information to the Black Knights. Huh?! After that, you ll join Lord Guilford in the defense line protecting the Government Bureau. And you, My Lady? Oh, I ll be preparing the party. ZEROOOOOO!!! Can t you calm him down?! I can t! His resistance is just too strong! We ve mounted the radiator fins! T4 s headed for the Government Bureau? Are the enemy air divisions too already? No, only one unit so far. Well, it shouldn t affect too many of us then. We re holding the school and Diethard s group are holding the media area. Miss Kaguya s forces are standing by at our rear. All we need is to push in on them from behind and we ve won. We have to, for Yoshida and all the others who died. Deputy Commander, we ve captured someone. Is it one of the students? Don t worry, let him go. We haven t got a reason to hold him here. No, this one was caught sneaking in through the rear gate. Sneaking in? Chigusa! Sh--she s a collaborator who reports directly to me. Take her into one of the unoccupied rooms, and I ll hear her report there. Oh, Nina... I wonder if she s still in the Ganymede hangar. And Kallen s a part of this whole thing? Man, that sucks. What re we gonna do? It s all right. Huh? The Black Knights -- or Zero, rather -- they absolutely won t do anything to harm us. But how can you be so sure of that? COWARD! You ve taken them as your hostages?! Some one-on-one fight this is! You brought this all on yourself when you rejected my bids to join me as my ally. Now you ll regret these foolish moral standards you cling to! Hey, isn t that the black Knightmare that s been all over the news lately?! No way... Zero s not targeting this building, is he?! He can t be, he can t! Because, if he does--! If I can get close enough to him to use the Harkens... ZEROOOO!!! Now! What the--?! I anticipated they wouldn t have adequate time to come up with a countermeasure for this. Zero, remember your promise. Yes. You may do with the machine as you wish. ZERO! You deceive the people who trust you to the very end! You betray her! Hmph... I ve no time to argue which of us is the bigger hypocrite. Farewell, Suzaku Kururugi. DAMN YOU! Their defenses are as strong as expected. Should you really be treating this so casually? Enemy reinforcements are arriving. If they start bombing us, it s all over. Humph... but we have a replenished energy filler, haven t we? Tohdoh, I m going to move in on the Government Bureau from above. Hmm? Isn t it risky to rely on the abilities of that machine? I know that. I m just going to create some confusion. It appears to be... Yes. Aries Villa. What?! How do you know that? I ll tell you some day, when the time is right. Welcome, Zero. I figured you would show up here as soon as you learned about the air raid. Now... join us for your welcome soirée! Care for a dance? Chigusa, why did you come to this battlefield?! We need to find someplace safe for you. Stay with me for now... Look... I m sorry I hid this from you, but everything I m doing is for the sake of peace! If Zero succeeds in freeing Japan from Britannia, then we can finally be together! Oh, stop before I puke! Me together with an Eleven like you? What a horrible thought. Hah... My name is Villetta Nu, and I am a Knight of Honor of Britannia. So, I see, Chigusa... you ve gotten your memory back... Is it true? Ohgi s been shot?! Yeah, the medic s with him now. And was it the woman who did it? We re still not sure. We re searching for her as we speak! Wait! Huh? Don t tell anybody else about Ohgi -- the news will only rattle people. Just find the girl and bring her back here! Yes, sir! Oh... now they ve even got Suzaku! I wonder what s going on out there. Now s your chance. Please, go! Huh?! Suzaku needs your help -- go to him, please! And we need his help. He s the best hope we ve got! It s pitch black! You d never know if the culprit was hiding in here. Where s the light switch? Dunno. Zero... Princess Euphemia -- WILL BE AVENGED!!! What s wrong, Zero?! The specs on this thing are far superior than hers! You re just a weakling! I have you-- I have you right where I want you! Your life is now IN MY HANDS! Cornelia! THIS IS YOUR JUDGMENT! Princess, it s me, Darlton. Why... Darlton, why...? Don t be afraid -- I haven t come to kill you, My Lady. Well, he made it. I m here to deliver you to Zero, Your Highness. What have I done?! Why, Princess?! Thank you, Darlton. PRINCEEEEEESS!!! Hello? Oh, who s there? Is that you, C.C.? No, it s not. Hm? But... Nunnally... I ve come to take you with me. Cornelia, the second princess of the empire, has fallen into my hands. After I ve questioned her about the identity of my mother s killer, I only need to hold her hostage and I ve won. At last, for Nunnally s sake as well, I will obliterate Britannia, the country that abandoned us both!
https://w.atwiki.jp/vocalive/pages/198.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Live Concert and Event Information） 【EVENT/海外/Miku @ MIT Boston USA 2011】 Miku @ MIT, Miku at MIT ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト（演奏曲目）・その他 (Set List, name of music) Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) International News （国際ニュース） New Project and collaboration Blog Memo・メモ帳 EDIT Page 行事紹介（Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【EVENT/海外/Miku @ MIT Boston USA 2011】 EVENT/海外/Miku @ MIT Boston USA 2011 Related page Miku @ MIT, Miku at MIT "Miku, Beyond the Character The Cutting Edge of Miku Miku Dance Software" Discussion and concert film screening featuring Ryotaro Mihara (Deputy Director, Creative Industries Division, Ministry of Economy, Trade, and Industry [Japan]) Masataka-P (producer of Miku songs and videos) Ian Condry (MIT, moderator) The presentation includes a demonstration of a prototype projection of Miku live, and a screening of an abridged version of Mikunopolis, Miku s live concert in Los Angeles, July 2011. Light dinner will be served. Afterwards, join us from 9 30-10 30pm for a Party at the Enormous Room (567 Mass. Ave., Cambridge, MA [NOTE Ages 18+ only] in conjunction with Beat Research (http //beatresearch.com). Meet the Miku guests president of Crypton, a Miku-P (producer), Japanese government rep, magazine editor and dance with Miku live . . . Date Monday October 17, 2011 Time 5 00 PM - 7 00 PM Location 4-136 (MIT) http //cooljapan.mit.edu/2011-2012-events =============================================================================== "Miku, Virtual Idol, as Media Platform Transforming Media Creativity" Keynote lecture Hiroyuki Itoh (president and CEO of Crypton Future Entertainment) with additional comments by Toshihiro Fukuoka (Editor, Tokyo Kawaii Magazine and ASCII Weekly) Ryotaro Mihara (Deputy Director, Creative Industries, METI) Ian Condry (Associate Professor, Comparative Media Studies, MIT) Date Tuesday October 18, 2011 Time 3 00 PM - 5 00 PM Location E51-345 (MIT) ================================================================================ Brainstorming session to discuss future collaborations with Crypton Future Entertainment Come join in a discussion of possible collaborations between Crypton Future Entertainment and area students and faculty. RSVP required to attend brainstorming session. Please contact Prof. Ian Condry at condry@mit.edu Date Wednesday October 19, 2011 Time 9 30 AM - 11 00 AM Location TBD (MIT) MIT/Harvard Cool Japan Initiative （米国、ボストン） MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html （日本語訳) 参考文献： Miku Japan s virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク：日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳） MIT比較メディア研究科 Comparative Media Studies (CMS) http //cms.mit.edu/ 日時：2011年10月17日（月）5 00 PM - 7 00 PM 場所：4-136（MIT）米国ボストン [キャラクターを越える初音ミク：MikuMikuDanceの最前線] 主催：MIT/Harvard Cool Japan Initiative MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-9806.html （日本語訳) http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) 参考文献：初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ ■イベント名称： ■会場： ■日程： Twitter FaceBook Japanese Translation 日時：2011年10月17日（月）5 00 PM - 7 00 PM 場所：4～136（MIT） キャラクターを越える初音ミク：MikuMikuDanceの最前線 出演 三原龍太郎（経済産業省） まさたかP（ボカロプロデューサ） イアン・コンドリー（MIT、司会） 日時：2011年10月18日（火）3 00 PM - 5 00 PM 場所：E51- 345（MIT） メディアプラットフォームとしての仮想アイドル初音ミク：創造性メディアの変化 出演 伊藤博之（クリプトン） 福岡俊弘（ASCII） 三原龍太郎（経済産業省） イアン・コンドリー（MIT比較メディア学准教授） 日時：2011年10月19日（水）9 30 AM - 11 00 AM 場所：TBD（MIT） クリプトン社とのコラボレーションのためのブレーンストーミング http //vocaloid.blog120.fc2.com/blog-entry-9806.html ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） Miku @ MIT Monday Panel [PART 1] http //www.youtube.com/watch?v=GP_1huHBKg8 http //www.youtube.com/watch?v=F2Gjs25qpys Miku @ MIT Monday Panel [PART 2] http //www.youtube.com/watch?v=4xrGppIM5dQ Miku @ MIT Monday Panel [PART 3] Miku @ MIT Monday Panel [PART 4] http //www.youtube.com/watch?v=mrO0fLqbHc Miku @ MIT Monday Panel [PART 5] https //www.youtube.com/watch?v=fN-isCydknc 関連映像 (Related Videos) HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 official goods ニコ生 (Nico NIco Video LIVE streaming) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Screen 投影スクリーンの種類 (Screen Type)：DILAD,ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 投影スクリーンの形状 (Shape of Screen)： スクリーンの素材（Materials for making screen）： スクリーン素材の網の目等のメッシュのサイズ：Mesh number # or Mesh size of Screen： スクリーン素材の製品カタログ番号等（Product Number of materials for making screen）： スクリーン素材の透過率(%)及び色等（Light Transmittance (%) of screen, Color）： 投影スクリーン等への映り込み状態(Reflection)： 鮮明度 Clearness, resolution of screen： 舞台の高さ（stage height）： スクリーンの高さ（Screen height）： スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度)： スクリーンの大きさ又は横の長さ (Screen Size)： スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) ： number of materials used for making main screen： 使用された投影ボード等の枚数（Number of board used）： 音響設備及び音響状態 (Sound)： プロジェクタの種類・台数 (Projector)： 使用ソフト (Software)： 3D model： Producer of 3D Model： スクリーン及び映像の解像度（Resolution of Screen and video）： 投影時の色補正（Color Adjustment to view on screen）： MMDのモデルの種類（Model Type of MikuMikuDance）： Computer and OS： リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 60 fps フレーム速度 60 fps カメラ等 (Camera)： 技術説明動画・写真等 (Tech Video Photo)： 会場設備のホームページ (Homepage of the Event Hall)： 会場設備 東京ドームシティ公式サイト MEETS PORT （ミーツポート） http //www.meetsport.jp/about/seat/1f_05.htm#zaseki その他 (others)： 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト（演奏曲目）・その他 (Set List, name of music) Set List SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events http //hatsunemikusetlists.wordpress.com/ for listings that are already in English, there will be no ‘romaji’. Summary in English and other language（英語等での紹介） http //www.niconico.com/ http //live.niconico.com/ 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Experiencing the Media Mix Anime, Manga, Video Games. （メディアミックスの体験：アニメ、マンガ、ビデオゲーム） President’s Conference Series February 4 to 6, 2012 （学長講演会シリーズ） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/ 日時：2012年2月4日ー6日 Location 1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada H3G Concordia University http //www.concordia.ca 場所：コンコルディア大学、モントリーオール、ケベック州、カナダ Academics discuss Japanese pop culture （アカデミック研究者が日本のポップカルチャーについて語る） http //www.concordia.ca/now/what-we-do/research/20120118/academics-discuss-japanese-pop-culture.php Speakers （公演者） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/speakers/ Schedule and Lecture abstracts （スケジュール及び公演抄録） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/schedule/ Lecture abstracts Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein Marc Steinberg-Media Mix as Experience Ian Condry-Miku Virtual Idol as Media Platform （ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames Thomas Lamarre-Transnational Storytelling Matthew Penney-Media Mixed Histories Kyara versus Context Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu Margherita Long-Nausicaa Now More Than Ever Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) コンコルディア大学でイアン・コンドリー氏がミクの講演をするらしい件 （日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10754.html 公演タイトル （概要の翻訳） Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演（大塚 英志--ディズニーとアイゼンスタインの邪悪な同盟） Marc Steinberg-Media Mix as Experience （マーク・スタインバーグ--経験としてのメディアミックス） Ian Condry-Miku Virtual Idol as Media Platform （イアン・コンドリー：ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames （Mia Consalvo--予想外の旅行：日本のビデオゲームのROMハッカーとファンによる翻訳） Thomas Lamarre-Transnational Storytelling （トーマス・ラマール--国を越えたストリーテリング ） Matthew Penney-Media Mixed Histories Kyara versus Context （マシュー・ペニー--メディアミックスの歴史：キャラ 対 コンテクスト） Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu （上野俊哉--狼と犬の間：押井守と手塚治虫） Margherita Long-Nausicaa Now More Than Ever （マルガリータ・ロング--ナウシカ、NOW MORE THAN EVER (愛は限りなく)） Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) （トーマス・ルーサー--ゲームの自律（そして、銃の暗い価値）） 公演タイトル （概要の翻訳） Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演（大塚 英志（神戸芸術工科大学）--ディズニーとアイゼンスタインの邪悪な同盟） Marc Steinberg-Media Mix as Experience （マーク・スタインバーグ（Concordia大学）--経験としてのメディアミックス） Ian Condry-Miku Virtual Idol as Media Platform （イアン・コンドリー（MIT）：ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames （Mia Consalvo（Concordia大学）--予想外の旅行：日本のビデオゲームのROMハッカーとファンによる翻訳） Thomas Lamarre-Transnational Storytelling （トーマス・ラマール（McGill大学）--国を越えたストリーテリング ） Matthew Penney-Media Mixed Histories Kyara versus Context （マシュー・ペニー（Concordia大学）--メディアミックスの歴史：キャラ 対 コンテクスト） Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu （上野俊哉（和光大学）--狼と犬の間：押井守と手塚治虫） Margherita Long-Nausicaa Now More Than Ever （マルガリータ・ロング（California大学) Nausicaa Now More Than Ever--ナウシカ、NOW MORE THAN EVER (愛は限りなく)） Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) （トーマス・ルーサー（New York大学)--ゲームの自律（そして、銃の暗い価値）） 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 参考文献： Miku Japan s virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク：日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳） 参考文献： 初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ 写真は『艶容女舞衣』 冨田人形共遊団（滋賀県長浜市） photo Wikipedia “Osonowiki” CC BY Ellywa http //upload.wikimedia.org/wikipedia/commons/c/cb/Osonowiki.jpg imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 中央にいるのが「シテ」、手前で背を向けているのが「ワキ」 photo Wikipedia “Noh-stage” CC BY Toto-tarou http //ascii.jp/elem/000/000/634/634970/Noh-stage_588x317.jpg 人形浄瑠璃 文楽 wikipedia 能 wikipedia [そこに現れたひとつの回答が「初音ミクは人形浄瑠璃である」という、週刊アスキー総編集長の福岡俊弘さんの説である。] ============================================================================= 【伊藤代表がおくる、MIKU@MITフォトレポート！】 http //blog.piapro.net/2011/10/mikumit.html http //blog.piapro.net/997.JPG １日目 http //blog.piapro.net/1012.JPG １日目夜 http //blog.piapro.net/1083.JPG 2日目 Media Lab http //blog.piapro.net/1044.JPG =============================================================================== NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 1 https //www.youtube.com/watch?v=0cKY0ZeF3q4 NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 2 https //www.youtube.com/watch?v=kQFkeleXDcA http //www.youtube.com/watch?v=NpCihCvXTtY NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 3 Hatsune Miku After MIKUNOPOLIS NEW YORK Comic Con/Anime Festival 2011 PANEL https //www.youtube.com/watch?v=Y9iFY9saX4g International News （国際ニュース） New Project and collaboration Blog Memo・メモ帳 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
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Lecture for intermediate Lecture for intermediate Lecture for those who intend to become intermediate Lecture for those who intend to become intermediate Introduction As you, designers who are familiar to the development of OKEs some degree, may know that clear goals are not exist in this game. You can play it in any direction, and it is free that how far you elaborate. It can be thought that, the goal setting is also a part of the contents of this game already. That is, as you become more familiar, how to enjoy and how to beat becomes more different from each other. For example, there are some people pursue every day how well avoid mines. But next to it, there are some people do everything in their power to assault by destroying all mines. Descriptions satisfy both at the same time is extremely difficult. As you become more familiar, as it becomes finer contents, your own strategy is going to be made. For these reasons, it is difficult to determine what to lecture for intermediate people or what is the definition of intermediate in the first place. So first, for those who intend to become intermediate, I entered from the description of the timing and execution speed of the program that are essential knowledge for creating large programs. For the reaction rate of OKE and scale of the program A CPU that you select in Hardware has parameters of "storage capacity", "execution speed" (and weight). "Execution speed" represents the execution speed of the program and the unit c/s means "(the number of executing) chips per second". The highest execution speed of CPU is 240c/s; you can execute 240 actions or decisions per second. Looks ridiculously large numbers at first glance, but is not really so much. Let s take a closer look. In this game, various judgment of combat takes place on a frame-by-frame basis. Frame is a still image that makes up a video. When you choose "frame advance" of the system menu in combat you can check the status of frame-by-frame. This game is 30fps, 30 pictures will be displayed per second. Therefore, if the CPU is 240c/s, you execute 240 chips per one second (= 30 frames), 8 chips per frame (= 1/30 sec). To pause during the battle actually, you can check the number of executing chips that appears bright. This number will significantly affect the "reaction rate of OKE". OKE runs all the actions as instructed in chips read in that time. Even though you made an excellent program, not only it becomes waste unless it is done when it is needed, but also it may cause trouble when it is executed with unnecessary timing. So let s look at an avoidance decision. There is a branch of “whether there is a bullet around the body” at the beginning of the avoidance decision, perform the avoidance maneuver If this were yes, go to the next process if it was no. What is needed in this case is that the first branch is executed when there is a bullet in the vicinity of the body. For example, if you set the range of around the body radius 100m, it is best to branch to avoidance decision with a margin of distance of 100m. But if the code is longer, for example, what happens if a program executes about 40 chips until return at earliest? Even with the fastest CPU, it takes 5 frames or more to go around once. If there is only once decision per go-around, avoidance maneuver is performed 5 or more frames late when a bullet comes at the worst timing. 5 frames = 5/30 of a second, it is about 0.17 seconds. During this time, AP ammunition flies about 50m; beam and rail gun flies about 80m. That is, then you will get a direct hit with no reaction if it was shot from the distance. Even though you perform reaction, if not even 30m away at that time, it is too late to act. Leaving aside one shot of beam gun, in case of rail gun, even a hit is directly linked to defeat frequently. The avoidance decision was given as an example here, but I can say the same thing to the decision of all of course. As it become a larger-scale program, more complex assessment of the situation and actions can be performed by OKEs but the reaction rate will reliably drop instead. Stack of subtle reduction of reaction rate affect more than a little on combat result. If you create a large program without thinking about the reaction rate, most will weaken comprehensively than small and medium-sized programs. There are mainly two know-hows to maintain the reaction rate when you building a large program, utilizing subroutine and utilizing loop. Utilize subroutine In the CPU with a maximum storage capacity, there are two areas that can be form subroutines of 7× 7 size on the right side. It is possible to run the subroutine from the chips of the “SUB 1” “SUB 2” placed in the main program of the left side. When the executed subroutine is completed, the process proceeds to the next of “SUB” chip which was placed in the main routine. By placing regularly this "SUB" chips in the main routine, it becomes possible to execute programs implemented into the subroutine several times until go around a main routine. For example, implement avoidance decision into a subroutine, when you call the subroutine whenever the main routine proceeds about 10 chips, reaction rate is significantly improved because it began to determine once per about two frames whether it is necessary to avoid. It should be noted that, of course main program is stopped at the place of "SUB" chip while executing subroutine. If there is a long program that is always executed in the subroutine, the rotation of the main program will be dull depending on the number of calls. Although rate of behavior that implemented into the subroutine improves, all other actions are delayed slightly. Therefore, you must be sure to execute subroutines only when necessary. To give avoidance as an example, if the OKE is quick moving or jumping already, it is not needed to execute subroutine. By increasing the rotation speed of the main routine even slightly by reducing unnecessary processing, let s improve the rate of each operation. Utilize loop To tell the truth first, loop may cause a fatal bug in high probability if you are not familiar. What is the loop, about the risk and the usefulness of the loop, I describe a simple example together. Please see the image below. This is avoidance decision of the program that is described in "Lecture for beginners", introduced the missile countermeasure. Missile detection is added before scanning for a high-speed flying object. It is built with the assumption that the behavior " Continue to lie down when a missile is detected to 100m range, then jump to avoid after it approach to 20m" . As long as the missile does not come within 20m, it will continue to run the operation of lie down repeatedly. This portion that is run repeatedly, this is the loop. By looping temporarily here, at the moment the missile enters the 20m range, you will be able to perform reaction immediately. To execute the process that you want to run on certain situations quickly, or in order to run an action timely at the moment the situation has changed, loop processing is quite useful. Now tested the program of the sample image, then it was confirmed that it is possible to avoid opponent’s missile on a one-to-one. So I organized a three-machine team triumphantly, and fought with a team that has missiles, then, OMG! There is an OKE that continues to lie down and does not move at all! Of course playing possum like that definitely not effective to OKEs, they were wiped out within a numerical disadvantage. What on earth was the problem? This sample is the form of, "Detected a missile coming towards in the 100m distance " → "loop until a missile is detected in the 20m range" The problem is that, in the first place, it has formed a loop on the assumption that "missile coming towards" is reach to the location of the OKE reliably. The missile coming towards is aimed at the OKE really? Or there is not an obstacle before it reaches? In such a variety of reasons, if the missile did not come in the 20m range, you will not be able to get out of the loop. In this case, you can solve the problem by modifying like the image below. By only one shifting of the ahead of an arrow, you will leave the loop if the missile does not come to 20m range. In the case also maintaining a bidirectional loop, you can resolve the problem as the image below. When you specify the range, you can be outside the range around your OKE by up and down key while holding down R button. By utilizing this, form a loop of “Continue to lie down if there are one or more missiles between 20m and 100m, proceed to avoidance decision when there are no missiles”. In this way, you can perform jump by avoidance decision when the missile is coming within 20m. In addition, even though the missile towards different direction or disappear, loop is always released. (There are waste and problem still in this example, I set it aside for the time being) It was long, but in short, it is that want you to understand firmly the risk and benefits of loop processing. Because bugs of this kind occur frequently, let s repeat behavior test and thoroughly verify when introducing a loop. If you will master successfully, quick reactions become possible in limited situations and that slight differences lead to great results. [Summary] When building a large program, needs attention to the execution timing of behaviors that require quick responses. The more complex and courteous programs, the more reduced the reaction rate is. Beware treatment of unnecessary processes in many cases. Consider the timing that should be executed and the need for each decision. For example, execute a long thinking process during operation that cannot be canceled, etc. Subroutine and loop are useful, but you should utilize it after a solid understanding of its risk. If the subroutine that will be called each time is long, the main program will not go around quickly. Wrong release condition of the loop leads to defeat very likely. [Supplemental Commentary loop examples] Although I gave the missile countermeasure loop as a reference, in addition, describe an example of a relatively safe loop to be able to make easy.Conducting enter and exit of the loop in accordance with the each state of OKE, it will be safety and quick loop process. For example, because it will not be able to perform the most operations when the OKE is struck and overturning, there is a way to check the situation in the dedicated loop and determine whether activate options or not, take evasive action to avoid additional attack immediately after the state recovered. In opposite, if the target is struck and overturning, it might be interesting to enter the loop for pursuit and additional attack. Because the state recovers automatically, it will be expected a certain effect without causing an infinite loop. Narrow down the processes There are many processes that you want to monitor situation changes constantly such as Scan for Projectiles, Activate Option, and process during overturning, etc. You can easily monitor such processes constantly by putting in places to pass frequently (Top of main and top of sub used frequently). However, in other words, would be referred to as "regardless of need or not, have repeated frequently the same process ", it is a waste of processing power. This will cause delaying the response. For example, in the case of Self-Cooling System of options, you do not have to monitor the amount of heat of body constantly in many cases. Mostly the purpose of starting the cooling is either, prevent thermal damage when it is struck or increase the frequency of fire. If the purpose of preventing thermal damage, it is only necessary to assess once when entering or exiting the process of when be struck or avoiding. If you increase the frequency of fire, it is only necessary to assess when it refrain from attack due to the heat. In this way, it is possible to improve the throughput performance if you stop constantly monitor the processes being monitored constantly. However, by stopping the constant monitoring, it is possible that the case that cannot be monitored occurs. In the case of cooling system, if you assess only when entering or exiting the process of when be struck or avoiding, there is likely to be roasted by "beam from close range (undaunted, cannot detect by Scan for Projectiles)" or "heat generated by the flames of napalm (undaunted, are not projectiles )". Although you should assess elsewhere to avoid this, the mounting area increases in this instance, and eventually you would waste the processing power if you assess too much. It is necessary to narrow down and pinpoint the necessary timing of decision, or if you do not narrow, must be determined after having analyzed trade-off among the mounting area, effect and risk when stopped constant monitoring.
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CDR 033 - SOME GIRLS SESSIONS 1977-1978 DISC 1 () 1 Miss You (basic track) 2 Miss You (basic track-additional backing vocals) 3 Miss You (full length version) 4 When The Whip Comes Down (basic track) 5 When The Whip Comes Down (full length version) 6 When The Whip Comes Down (full length version-without voice) 7 When The Whip Comes Down (full length edited version) 8 Just My Imagination (basic track) 9 Just My Imagination (full length version) ■More Fast Numbers (Rebel Yell Factory RYF-002) includes tracks 1, 4 stereo ■Twilight Zone (VGP-048) includes tracks 2, 5 stereo ■Place Pigalle 5/6 (RR 010/011) includes tracks 3, 7, 9 stereo ■Genius Is Pain (NS 001/83) (Vinyl) includes tracks 6, 8 Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-9) CDR 034 - SOME GIRLS SESSIONS 1977-1978 DISC 2 (64 16) 1 Some Girls (full length version) 2 Lies (outtake 1) 3 Lies (outtake 2) 4 Lies (full length version) 5 Far Away Eyes (outtake) 6 Far Away Eyes (basic track) 7 Respectable (basic track) 8 Respectable (basic track-additional guitars) 9 Before They Make Me Run (basic track 1) 10 Before They Make Me Run (basic track 2) 11 Beast Of Burden (basic track) 12 Beast Of Burden (basic track-additional guitars) 13 Shattered (outtake) 14 Shattered (basic track) ■Twilight Zone (VGP-048) includes tracks 1, 9-10,12 stereo ■More Fast Numbers (Rebel Yell Factory RYF-002) includes tracks 2-3, 5, 7,13-14 stereo ■Place Pigalle 5/6 (RR 010/011) includes tracks,4, 6, 8 stereo ■Some Other Girls (Whom-SGR-1) (Vinyl) includes track 11 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-3, 5, 7-8,11-14), 1.5-3.2.1978 (tracks 4, 6, 9-10) CDR 035 - SOME GIRLS SESSIONS 1977-1978 DISC 3 (61 38) 1 Everything Is Turning To Gold (basic track) 2 Everything Is Turning To Gold (full length-edited version) 3 Summer Romance (outtake 1) 4 Summer Romance (outtake 2) 5 Start Me Up (basic track 1) 6 Start Me Up (basic track 2) 7 Hang Fire (outtake 1) 8 Hang Fire (outtake 2) 9 Black Limousine (Broken Head Blues) (outtake 1) 10 Black Limousine (outtake 2) 11 Black Limousine (basic track) 12 Black Limousine (full length version) 13 So Young (basic track) ■Place Pigalle disc 3 (VGP-362) includes tracks 1, 9 mono ■Place Pigalle 5/6 (RR 010/011) includes track 2 stereo ■The Emotional Rescue Sessions (J-006/007) includes tracks 3-4 stereo ■All Inside Our Crazy Dreams (DAC-021) includes tracks 5-6,12 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 7,11 stereo ■Tattoo Too (Rattle Snake RS 071/072) includes track 8 mono ■Place Pigalle disc 1 (VGP-362) includes track 10 mono ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 13 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-2, 9-10), 1.5-3.2.1978 (tracks 3-8,11-13) CDR 036 - SOME GIRLS SESSIONS 1977-1978 DISC 4 () 1 Claudine (outtake 1) 2 Claudine (outtake 2) 3 Claudine (outtake 2-edited version) 4 Everlasting Is My Love (outtake 1) 5 Everlasting Is My Love (outtake 2) 6 Everlasting Is My Love (outtake 3) 7 I Can t Help It (Love You Too Much) (outtake 1) 8 I Can t Help It (Love You Too Much) (outtake 2) 9 I Can t Help It (Love You Too Much) (outtake 3-backing track) 10 I Can t Help It (Love You Too Much) (outtake 3-additional vocals) 11 Fiji Jim (outtake-basic track) 12 Fiji Jim (outtake-additional guitar) 13 Never Make Me Cry (outtake) 14 Never Make Me Cry (outtake-edited version) 15 Not The Way To Go (outtake 1) 16 Not The Way To Go (outtake 2) ■All Inside Our Crazy Dreams (DAC-021) includes track 1 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 2-3 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 4 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 5-6,14 stereo ■Place Pigalle 5/6 (RR 010/011) includes track 7 mono ■Genius Is Pain (NS 001/83) (Vinyl) includes track 8 stereo ■Twilight Zone (VGP-048) includes track 9 stereo ■Paris Results Vol. 2 (Outsider Bird Records OBR 305 CD-019) includes track 10 mono ■Accidents Will Happen (VGP-370) includes track 11 stereo ■Place Pigalle disc 3 (VGP-362) includes tracks 12-13 mono ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 15-16 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1, 4, 7-8), 1.5-3.2.1978 (tracks 2-3, 5-6, 9-16) CDR 037 - SOME GIRLS SESSIONS 1977-1978 DISC 5 (78 26) 1 A Different Kind (outtake) 2 The Way She Held Me Tight (Misty Roads) (outtake) 3 I Need You (outtake) 4 Do You Think I Really Care (Yellow Cab) (outtake) 5 No Spare Parts (outtake) 6 You Win Again (outtake) 7 Do You Get Enough (outtake) 8 Disco Musik (outtake) 9 Petrol Gang (outtake) 10 Never Let Her Go (outtake) 11 It s All Wrong (outtake) 12 Some People Tell Me (outtake) 13 Redeyes (When You re Gone) (outtake) 14 You Don t Have To Go (outtake) 15 Shame Shame Shame (outtake) 16 It s A Lie (outtake) 17 It Won t Be Long (outtake 1) ■Accidents Will Happen (VGP-370) includes tracks 1-4 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes tracks 5-11 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 12 stereo ■Place Pigalle disc 2 (VGP-362) includes tracks 13-15 mono ■Place Pigalle disc 3 (VGP-362) includes track 16 mono ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 17 stereo Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (track 1), 1.5-3.2.1978 (tracks 2-17) CDR 038 - SOME GIRLS SESSIONS 1977-1978 DISC 6 (66 58) 1 Los Trios Guitaros (outtake) 2 Muck Spreading Dub (outtake) 3 Munich Hilton (outtake 1) 4 Munich Hilton (outtake 2) 5 After Hours (Slow Blues) (outtake) 6 Armpit Blues (outtake) 7 Sheep Dip Blues (outtake) 8 Light Up (outtake) 9 Stay Where You Are (outtake) 10 Brown Leaves (outtake 1) 11 Brown Leaves (outtake 2) 12 Up Against The Wall (outtake) 13 Broken Toe (outtake) 14 Golden Caddy (outtake 1) 15 Golden Caddy (outtake 2) 16 Piano Instrumental (outtake) ■Place Pigalle disc 3 (VGP-362) includes tracks 1, 8-15 mono ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 2 stereo ■Accidents Will Happen (VGP-370) includes track 3 stereo ■Place Pigalle disc 2 (VGP-362) includes tracks 4, 6-7 mono ■Better Results (Outsider Bird Records OBR 305 CD-023) includes track 5 stereo ■Place Pigalle disc 4 (VGP-362) includes track 16 mono Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1-4), 1.5-3.2.1978 (tracks 5-16) CDR 039 - SOME GIRLS SINGLES 1977-1978 (53 20) 1 Miss You (7"single-remixed and edited version) 2 Far Away Eyes (7"single-edited version) 3 Miss You (12"single-special disco version) 4 Far Away Eyes (12"single-album version) 5 Miss You (8 track-extended version) 6 Beast Of Burden (8 track-extended version) 7 Respectable (7"single) 8 When The Whip Comes Down (7"single) 9 Shattered (US 7"single) 10 Everything Is Turning To Gold (US 7"single) 11 Before They Make Me Run (promo remixed stereo version) 12 Before They Make Me Run (promo remixed mono version) ■FORTY LICKS (Virgin Records 724381337820) includes track 1 stereo ■We Want The Rare Stones (Glimmer Twins Record G.T.-012) includes track 2 stereo ■DON T STOP (CD Single) (Virgin Records VJCP-12161) includes track 3 stereo ■SOME GIRLS (Virgin Records CDV 2734) includes tracks 4, 7-9 stereo ■SOME GIRLS 8 Track (EMI) includes tracks 5-6 stereo ■SUCKING IN THE SEVENTIES (Sony Records SRCS 6214) includes track 10 stereo ■We Want Rare Stones Volume 2 (Trident Mobil TM-002) includes track 11 stereo, track 12 mono Note; Pathe Marconi Studios, Paris, France, 10.10-12.21.1977 (tracks 1, 3, 5-10), 1.5-3.2.1978 (tracks 2, 4,11-12) CDR 040 - EMOTIONAL RESCUE SESSIONS 1978 DISC 1 (53 57) 1 Knee Trembler (outtake) 2 What Gives You The Right (outtake 1) 3 Jimmy Reed Jam (outtake) 4 One Night (outtake) 5 What Gives You The Right (outtake 2) 6 My First Plea (outtake 1) 7 My First Plea (outtake 2) 8 My First Plea (outtake 3) 9 My First Plea (outtake 4) 10 Tallahassie Lassie (outtake) 11 Your Angel Steps Out Of Heaven (outtake) 12 The Harder They Come (outtake) ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 1-7, 9-12 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 8 stereo Note; RCA Studios, Los Angeles, California, 8.23-9.8. 1978 (tracks 1-12) CDR 041 - EMOTIONAL RESCUE SESSIONS 1978 DISC 2 (46 33) 1 Serious Love (outtake) 2 I ll Let You Know (outtake) 3 Summer Romance (basic track 1) 4 Where The Boys Go (outtake 1) 5 Where The Boys Go (outtake 2) 6 Where The Boys Go (outtake 3) 7 What Gives You The Right (outtake 3) 8 What Am I Living For (outtake 1) 9 What Am I Living For (outtake 2) 10 Back In The U.S.A (outtake) 11 I Ain t Superstitious (outtake) 12 Blues With A Feeling (outtake) ■The Harder They Come 1978 (Idol Mind Production IMP-N-001) includes tracks 1-6 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 7 stereo ■Twilight Zone (VGP-048) includes tracks 8-12 stereo Note; RCA Studios, Los Angeles, California, 8.23-9.8. 1978 (tracks 1-12) CDR 042 - EMOTIONAL RESCUE SESSIONS 1979 DISC 3 (53 15) 1 She s So Cold (basic track) 2 Little T A (outtake) 3 Little T A (basic track) 4 I Think I m Going Mad (basic track 1) 5 I Think I m Going Mad (basic track 2) 6 Lonely At The Top (outtake) 7 Dancing Girls (outtake) 8 Munich Hillton (outtake 3) 9 Sweet Home Chicago (outtake) 10 What s The Matter (outtake) ■The Pain Of Love (VGP-052) includes tracks 1, 4 stereo ■The Emotional Rescue Sessions (J-006/007) includes track 2 stereo ■All Inside Our Crazy Dreams (DAC-021) includes track 3 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 5 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes tracks 6-10 stereo Note; Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 1-10) CDR 043 - EMOTIONAL RESCUE SESSIONS 1979 DISC 4 (49 50) 1 Let s Go Steady Again (outtake) 2 Still In Love (Sugar Baby) (outtake 1) 3 It Won t Be Long (outtake 2) 4 Break Away (outtake) 5 Linda Lou (outtake) 6 Never Too Into (outtake) 7 Guitar Lesson (outtake) 8 It s Cold Down There (outtake 1) 9 It s Cold Down There (outtake 2) 10 Guess I Should Know (outtake) 11 Blues Jam (outtake) 12 Jah Is Not Dead (outtake) ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes track 1 stereo ■All Inside Our Crazy Dreams (DAC-021) includes track 2 stereo ■The Pain Of Love (VGP-052) includes tracks 3-4 stereo ■Paris Results (Outsider Bird Records OBR 305 CD-016) includes track 5 stereo ■Better Results (Outsider Bird Records OBR 305 CD-023) includes track 6 stereo ■Place Pigalle disc 4 (VGP-362) includes tracks 7-10 mono ■I Can t Judge The Music By Looking At The Cover (BBL1) includes track 11 mono ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 12 stereo Note;Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 1-12) CDR 044 - EMOTIONAL RESCUE SESSIONS 1979 DISC 5 (71 07) 1 Dance (outtake 1) 2 Dance (outtake 2) 3 Dance (outtake 3) 4 Dance (basic track) 5 Summer Romance (basic track 2) 6 Summer Romance (full length version) 7 Send It To Me (full length version) 8 Let Me Go (basic track) 9 Where The Boys Go (basic track) 10 Down In The Hole (basic track) 11 Down In The Hole (edited version) 12 Emotional Rescue (full length version) ■The Emotional Rescue Sessions (J-006/007) includes tracks 1-3, 5, 9 stereo ■The Pain Of Love (VGP-052) includes track 4 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 6, 8,11 stereo ■Accidents Will Happen (VGP-370) includes tracks 7,12 stereo ■All Mixed Up (RR 024/25) includes track 10 stereo Note; Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (tracks 1-12) CDR 045 - TATTOO YOU SESSIONS 1979 DISC 1 (70 22) 1 Hang Fire (basic track 1) 2 Hang Fire (basic track 2) 3 Hang Fire (basic track 3) 4 Black Limousine (edited version) 5 Worried About You (full length version) 6 Tops (basic track 2) 7 No Use In Crying (basic track 1) 8 No Use In Crying (basic track 2) 9 No Use In Crying (basic track 3) 10 No Use In Crying (full length version) 11 Waiting On A Friend (basic track 2) 12 We Had It All (version 1) 13 We Had It All (version 2) 14 We Had It All (version 3) 15 Gangster s Moll (outtake) 16 Indian Girl (full length version) 17 Indian Girl (edited version) ■Tattoo Out (KO001/002) includes track 1 stereo ■All Inside Our Crazy Dreams (DAC-021) includes tracks 2-6, 8,10-11 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 7, 9,14,16-17 stereo ■The Emotional Rescue Sessions (J-006/007) includes tracks 12-13 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes track 15 stereo Note; Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (tracks 1-15), Electric Lady Studios, New York City, New York, 11-12.1979 (tracks 16-17) CDR 046 - TATTOO YOU SESSIONS 1980-1981 DISC 2 (57 49) 1 Slave (basic track 2) 2 Neighbours (basic track 1) 3 Heaven (basic track) 4 Heaven (full length version) 5 Slave (basic track 3) 6 Slave (full length version) 7 Neighbours (basic track 2) 8 Waiting On A Friend (basic track 3) 9 Let s Do It Right (remix version) 10 Munich Reggae (remix version) ■All Inside Our Crazy Dreams (DAC-021) includes tracks 1-2, 4 stereo ■Place Pigalle disc 4 (VGP-362) includes tracks 3, 5, 7-8 mono ■TATTOO YOU (Virgin Records CDV 2732) includes track 6 stereo ■The Emotional Rescue Sessions (J-006/007) includes track 9 stereo ■Tattoo Out (KO001/002) includes track 10 stereo Note; Pathe Marconi Studios, Paris, France, 10.11-11.12.1980 (tracks 1-4), Atlantic Studios, New York City, New York, 4-6.1981 (tracks 5-10) CDR 047 - EMOTIONAL RESCUE / TATTOO YOU SINGLES 1979-1981 (43 05) 1 Emotional Rescue (7"single) 2 Down In The Hole (7"single) 3 She s So Cold (7"single) 4 Send It To Me (7"single) 5 If I Was A Dancer (Dance Pt. 2) (promo 12"single) 6 Dance (promo instrumental version) 7 Start Me Up (7"single) 8 No Use In Crying (7"single) 9 Waiting On A Friend (7"single) 10 Little T A (7"single) ■EMOTIONAL RESCUE (Virgin Records CDV 2737) includes tracks 1-4 stereo ■RARITIES 1971-2003 (Virgin Records 0946 3 49725 2 9) includes track 5 stereo ■The Emotional Rescue Sessions Revisited (Rebel Yell Factory RYF-003) includes tracks 6 stereo ■TATTOO YOU (Virgin Records CDV 2732) includes tracks 7-10 stereo Note; Electric Lady Studios, New York City, New York, 11-12.1979 (tracks 1, 4-7), Pathe Marconi Studios, Paris, France, 6.10-10.19.1979 (track 2), Compass Point Studios, Nassau, Bahamas, 1.18-2.12.1979 (tracks 3, 8,10), Atlantic Studios, New York City, New York, 4-6.1981 (track 9) CDR 048 - UNDERCOVER SESSIONS 1982 DISC 1 (72 45) 1 She Was Hot (outtake) 2 Tie You Up (The Pain Of Love) (outtake 1) 3 Tie You Up (The Pain Of Love) (outtake 2) 4 Wanna Hold You (basic track 1) 5 Wanna Hold You (basic track 2) 6 Too Much Blood (basic track 1) 7 Too Much Blood (basic track 2) 8 Pretty Beat Up (basic track 1) 9 Pretty Beat Up (basic track 2) 10 Too Tough (basic track) ■The Pain Of Love (VGP-052) includes tracks 1, 3 stereo ■Jamming With Stu (VGP-240) includes tracks 2, 4, 6, 8,10 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 7 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 5, 9 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-10) CDR 049 - UNDERCOVER SESSIONS 1982 DISC 2 (72 07) 1 All The Way Down (outtake) 2 It Must Be Hell (basic track) 3 I Think I m Going Mad (outtake-Keith Richards on lead vocals version) 4 Cook Cook Blues (full length version) 5 All Mixed Up (outtake 1) 6 All Mixed Up (outtake 2) 7 Looking For Trouble (outtake) 8 Blues Jam 1 (outtake) 9 Blues Jam 2 (outtake) 10 The Stumble (Blues Jam 3) (outtake) 11 Chain Saw Rocker (outtake) 12 Tried To Talk Her Into it (outtake) 13 Untitled (outtake) 14 Crazy Arms (outtake) ■Jamming With Stu (VGP-240) includes tracks 1, 4, 7-12 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 2-3,13 stereo ■All Mixed Up (RR 024/25) includes tracks 5-6 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 14 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-14) CDR 050 - UNDERCOVER SESSIONS 1982-1983 DISC 3 (64 59) 1 Munich Hilton (outtake 4) 2 Munich Hilton (outtake 5) 3 Still In Love (Sugar Baby) (outtake 2) 4 Still In Love (Sugar Baby) (outtake 3) 5 Still In Love (Sugar Baby) (outtake 4) 6 I Can t Help It (Love You Too Much) (outtake 4) 7 Golden Caddy (outtake 3) 8 Golden Caddy (outtake 4) 9 Undercover Of The Night (outtake 1) 10 Undercover Of The Night (outtake 2) 11 Undercover Of The Night (basic track 1) 12 Undercover Of The Night (basic track 2) 13 Wanna Hold You (full length version) ■All Mixed Up (RR 024/25) includes tracks 1-2, 8 stereo ■Jamming With Stu (VGP-240) includes tracks 3, 6 stereo ■Learning The Game (RM 002) includes track 4 stereo ■Under Cover Outtakes (Rogue RG-02) includes track 5 stereo ■The Pain Of Love (VGP-052) includes tracks 7,11 stereo ■Think You Like It (Undercover Outtakes) (September Songs One/Two) (Vinyl) includes tracks 9-10,12 stereo ■UNDERCOVER (Virgin Records CDV 2741) includes track 13 stereo Note; Pathe Marconi Studios, Paris, France, 11.11-12.17.1982 (tracks 1-8), The Hit Factory, New York City, New York, 5.1983 Compass Point Studios, Nassau, Bahamas, 6.1983 (tracks 9-12), The Hit Factory, New York City, New York, 6-8.1.1983 (track 13) CDR 051 - UNDERCOVER SINGLES 1983 (62 13) 1 Undercover Of The Night (7"single) 2 All The Way Down (7"single) 3 Undercover Of The Night (12"single-extended cheeky mix) 4 Feel On Baby (12"single-instrumental dub version) 5 She Was Hot (7"single) 6 I Think I m Going Mad (7"single) 7 Too Tough (7"single) 8 Too Much Blood (US 12"single-dance version) 9 Too Much Blood (US 12"single-dub version) 10 Too Much Blood (US 12"single-album version) ■UNDERCOVER (Virgin Records CDV 2741) includes tracks 1-2, 5, 7,10 stereo ■Too Much Blood On The Dancefloor (MAXI-1) includes tracks 3, 8 stereo ■Dance n Shuffle (MAXI-2) includes tracks 4, 9 stereo ■Everything s Turning To Gold (MAXI-3) includes track 6 stereo Note; The Hit Factory, New York City, New York, 6-8.1.1983 (tracks 1-10) BACK / NEXT
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Market Scenario The global Gaming Console market is expected to register a CAGR of ~5.37% during the forecast period, 2021–2030. In this report, Market Research Future (MRFR) includes the segmentation and dynamics of the Gaming Console market to offer a better glimpse into the coming years. The major factors driving the growth of the gaming console market are the rising demand of 3D video games and increasing number of e-sport tournaments. However, lack of skilled professionals is hindering the market growth. Although, advancement in core wireless connectivity is creating an opportunity in the market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10770 Competitive Outlook The global Gaming Console market is characterized by the presence of several regional and local providers. Some of the key players in the market are Sony Corporation (Japan), Microsoft Corporation (US), Nintendo Co., Ltd. (Japan), Logitech Inc. (Switzerland), Valve Corporation (US), NVIDIA Corporation (US), PlayJam (UK), BlueStacks (US), OUYA Inc. (US), Sega (Japan) and Atari (US). Segmentation The global gaming console market has been segmented based on type, application, end user and region. By type, the global gaming console market has been divided into home console, handheld console, hybrid console. A home console is a gaming console that is connected to a device such as displays, television and to an external power source. These have advanced graphics abilities but with a limited storage capacity. The handheld console is has a built-in game consoles, screen and speaker. It is a portable, small self-contained video game console that contains console, speaker, screen and controls all in one unit. A hybrid game console is a combined form of home and handheld console. It has either a docking station or a wired connection that connects the console unit to a fixed power source and television unit. Based on application, the global gaming console market has been segmented into gaming and non-gaming. The gaming consoles are integrated with multiple features that offers both gaming and non-gaming or entertainment console. The rise of gaming consoles integrated with extensive content applications such as Netflix, YouTube, Amazon Prime Video and others are included in the non-gaming application. The development of controller-free gaming console is anticipated to drive the gaming application for the gaming console market. Based on end user, the global gaming console market has been segmented into residential and commercial. The residential sector is expected to boost the growth of the market owing to the rising need for gaming accessories, 3D gaming headsets, integrated mic, gaming mouse, game-enabled television and others. The commercial sector is also anticipated to grow owing to the growing demand of cloud gaming services. These services store a huge amount of gaming data along with improved security methods. Regional Analysis The regional analysis for the global Gaming Console market has been done for North America, Europe, Asia-Pacific, and the Middle East Africa, and South America. The market in Asia Pacific accounted for the largest market share in 2020, and it is expected to register strong growth during the forecast period. However, the North America area is experiencing tremendous growth due to growing adoption of modern technologies such as AR-VR platform, cloud services, Bluetooth, 3D technology and others. The major North American countries are technologically advanced and provide significant investment and income potential. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/gaming-console-market-10770 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Learning Management System Market By Application (Corporate, Academics), by Deployment (Cloud, On-Premise), by Service (Administration, Performance Management, Content Management, Communication Collaboration) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
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